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TC Electronic Finalizer 96kHz

Studio Mastering Processor

Product Code 2418

Retail Price
$2995
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$2,550.00
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Manufacturer
TC Electronic

The latest progression in TC's Multi-Award winning mastering technology - the Finalizer 96K - delivers unprecedented levels of clarity, warmth and punch to your mix. With an all new set of advanced features and enhancements, including 96kHz processing, Finalizer 96K truly puts the world of professional mastering within reach of every studio - large or small. Inserted between the stereo output of your mixer or workstation and your master recording media, the Finalizer 96K dramatically rounds out your material, creating that "radio ready" sound - previously unattainable outside a professional mastering house.



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MPN: 950100211

Connectors: XLR (AES/EBU), RCA Phono (S/PDIF), Optical (Tos-link, ADAT)
Formats: AES/EBU (24 bit), S/PDIF (20 bit), EIAJ CP-340, IEC 958, EIAJ Optical (Tos-link), ADAT Lite pipe
Output Dither: HPF/TPDF dither 8-24 bit, mono, stereo, inverted
Word Clock Input RCA Phono, 75 ohm, 0.6 to 10 Vpp
Sample Rates: 32 kHz, 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
Processing Delay: 0.2 ms @ 48 kHz, 0.1 ms @ 96 kHz
Frequency Response DIO: DC to 23.9 kHz ± 0.01 dB @ 48 kHz
DC to 47.9 kHz ± 0.01 dB @ 96 kHz
Compressor THD+N -130 dB (0.00003%) @ 10 dB Compression, 20 Hz-20 kHz
Input Rate Range 31 kHz to 49 kHz

Analog Inputs

Connectors: XLR balanced (pin 2 hot)
Impedance: 20 Kohm
Max. Input Level: +22 dBu (balanced)
Min. Input Level (For 0 dBFS): -10 dBu
Sensitivity: @ 12 dB headroom: -22 dBu to +10 dBu
A to D Conversion: 24 bit (6.144 MHz delta sigma @ 48/96 kHz)
A to D Delay: 0.8 ms @ 48 kHz, 0.4 ms @ 96 kHz.
Dynamic Range: >103 dB (unweighted, BW=22 kHz), >106 dB(A)
THD: -95 dB (0,0018 %) @ 1 kHz, -6 dBFS (FS @ +16 dBu)
Frequency Response: 10 Hz to 20 kHz: +0/-0.2 dB @ 48 kHz
10 Hz to 45 kHz: +0/-1 dB @ 96 kHz
Crosstalk: <-80 dB, 10 Hz to 20 kHz, typical –100 dB @ 1 kHz

Analog Outputs

Connectors: XLR balanced (pin 2 hot)
Impedance: 100 ohm (active transformer)
Max. Output Level: +22 dBu (balanced)
Output Range (FS): -10 dBu to +22 dBu
D to A Conversion: 24 bit (6.144 MHz delta sigma @ 48/96 kHz)
D to A Delay 0.57 ms @ 48 kHz, 0.28 ms @ 96 kHz
Dynamic Range: >100 dB (unweighted, BW=22 kHz), >104 dB(A)
THD: -82 dB (0.008 %) @ 1 kHz, -6 dBFS (FS @ +16 dBu)
Frequency Response: 10 Hz to 20 kHz: +0/-0.5 dB @ 48 kHz
10 Hz to 45 kHz: +0/-3 dB @ 96 kHz
Crosstalk: <-60 dB, 10 Hz to 20 kHz, typical –90 dB @ 1 kHz

EMC

Complies with: EN 55103-1, EN 55103-2, Class B of FCC rules/part 15, Class B of CISPR 22

Safety

Certified to: IEC 65, EN 60065, UL 1419 and CSA E65

Environment

Operating Temperature: 32º F to 122º F (0º to 50º)
Storage Temperaure: -22º F to 167º F (-30º C to 70º C)
Humidity: Max. 90% non-condensing

PCMCIA Interface

Connector: PC Card, 68 pin type 1 cards
Standards: PCMCIA 2.0, JEIDA 4.0
Card Format: Supports up to 2 MB SRAM

Control Interface

MIDI: In/Out/Thru: 5 pin DIN
GPI, Pedal, Fader: 1/4" phone Jack

General

Finish: Anodized aluminium front
Plated and painted steel chasis
LCD: 56 x 128 dot graphic LCD-display
Dimensions: 19" x 1.75" x 8.2" (483 x 44 x 208 mm)
Weight: 5.2 lb. (2.35 kg)
Mains Voltage: 100 to 240 VAC, 50 to 60 Hz (auto-select)
Power Consumption: <20 W
Backup Battery Life: >10 years

Warranty

Parts and labor: 1 year

The Dynaudio Acoustics nearfield monitor BM5 is a 2-way passive system comprising a 175mm (6.5")woofer and a 28mm (1.25") soft dome tweeter with neodynium magnet, housed in a front ported cabinet

The BM5 is a clean, powerful and accurate monitor where excellent results are achieved with good quality amplifiers.

The BM5 is specifically designed for use in computer-based project studios where the monitor needs to be magnetically shielded. This is achieved by incorporating a high frequency soft dome driver that has a neodymium magnet housed within the aluminium voice coil to prevent its magnetic field from affecting computer monitors. It also has a port in the front baffle making it inherently suitable for mounting within an enclose area – i.e. surround channels for television post production.

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