The RPM 44 is a 100% drag and drop configurable DSP-based device, set up and controlled using Rane’s new Drag Net software. Industry standard 10Base-T Ethernet is used to communicate between Drag Net devices and any Ethernet-equipped PC running Microsoft Windows. Drag Net offers the ultimate in signal processing flexibility, allowing you to draw the system you need without signal flow restrictions. Familiar Windows file management tools and Shortcuts are incorporated into Drag Net, allowing complete project management within a single interface.
The RPM 44 provides four balanced, studio-grade analog inputs (selectable mic or line level), and four balanced analog outputs. A two-channel AES3 digital input and two-channel AES3 digital output are also provided , making the RPM 44 a true 6-input, 6-output device. All I/O, including the AES3 I/O, has its own, 100% user-defined signal processing path. The RPM’s analog inputs feature software-controllable mic preamps with an equivalent input noise (EIN) of -128 dBu, satisfying even the most demanding audio applications.
Euroblock connectors are provided for audio I/O, logic I/O and the RW 485 port. Grounding screws for direct connection to the metal chassis are provided for solving EMI problems due to shield wiring. Also found on the rear panel are standard XLR-type connectors for the AES3 I/O, an RJ-45 Ethernet connector for computer control and an IEC AC power input.
All DSP algorithms are not created equally and textbook DSP algorithms miss the mark where the rubber meets the road. Rane’s team of audio-savvy DSP mathematicians -- a rare breed itself -- in conjunction with industry-leading analog signal processing gurus have combined forces to offer superlative digital and analog audio performance. With 24-bit converters, greater than 106 dB throughput dynamic range and double-precision 48-bit internal DSP ’math,’ the RPM 44 offers the best DSP algorithms and audio performance available. These ain’t no Internet appliances! For example, the RPM 44’s 200 MIPs translate into 125 fully parametric EQ filters, should you need multiple channels of 15 band parametrics and nothing else.
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