The Kronos music workstation was unveiled in 2011 to critical acclaim, and the raves of players around the world asking "what can possibly follow this?!" In the year since its inception, KORG has continued to release system updates and additional Kronos Sound Libraries, bringing the Kronos to an even higher level of performance.

The Kronos continues its evolution with the new Kronos X Music Workstation. With a boost to the internal memory and SSD size, the Kronos X is the ultimate workstation. Fittingly, its new name adds an "X" to indicate its expanded, and truly limitless potential.

A peerless synthesizer packed with nine sound engines including realistic piano, richly expressive electric piano, tonewheel organ, digital synthesis, and powerful analog/physical modeling, all in a single unit.
The Kronos X Music Workstation is the ultimate instrument for live performing musicians, for artists creating in a studio or computer-based production environment, and for musicians and sound designers seeking the ultimate synthesizer.

LIVE – for the performing keyboard player
Kronos X provides the absolute finest in keyboard sounds; accurate and responsive to the player's technique. The expansive control surface offers joysticks, sliders, knobs, switches, a ribbon controller, assignable pedal inputs, and of course our high-resolution color TouchView™ display. Performance-oriented additions include our easy-to-use Set List mode for song-specific and gig-ready sound selection, and our Smooth Sound Transition feature. Plus, we've included our finest RH3 keybed on both the 73 and 88 key models for a solid performance; the 61 key enjoys the responsive action shared with the Korg M3-61.

PRODUCTION – satisfying the producer, music director, and musician
For many, the studio is where the work gets done; from laying down tracks, to building up grooves for an on-stage extravaganza, to delivering the soundtrack for today's media rich world. For these creative leaders, Korg has equipped the Kronos X Music Workstation's sequencer with 16-track MIDI tracks plus 16 audio tracks, our Open Sampling System, dazzling hi-fidelity effects, as well as flawless plug-in integration with many popular DAW platforms. Of course, Kronos X is equipped with phenomenal sound, dynamic drums, and an impressive array of premium sound effects. Add to that the ability to use KARMA, the Drum Track, and the sequencer's RPPR to greatly speed up and enrich the music creation process.

SYNTHESIS – simple, intuitive programming for the enthusiast and sound designer
In addition to being Korg' premier workstation, Kronos X has it in its blood to satisfy the programmer, sound designer, and synthesizer enthusiast; the musician who dreams of turning visions of the cosmos into sound, of tweaking parameters to conjure invisible sounds from the ether. Kronos X rekindles KORG's founding dream that is at the core of synthesis: the exhilaration and enjoyment of creating new sounds, sounds never before heard! A variety of exclusive Korg technologies drive the synth engines to provide astounding results – CMT (Component Modeling Technology); Physical Modeling, Digital Synthesis, Wave Sequencing, MDS (Multi-Dimensional Synthesis); KARMA® and more!

Nine Synthesizer Engines, United in One Instrument
Kronos X contains nine distinct synthesizer/sound engines. While each is worthy of a separate product in its own right, Kronos X brings them all together into a single, integrated musical instrument. Dynamic voice allocation and innovative technologies allow all sound engines to smoothly share a stable, enhanced hardware platform. The results are nothing less than spectacular.

Room to Expand
Since the Kronos appeared, Kronos Sound Library expansions have continued to be released. In order to let you take full advantage of these libraries, which offer selections with a different flavor than the preloaded programs and combis, the Kronos X doubles both the available RAM capacity to approximately 2GB and the SSD capacity to 62GB. Starting in March 2012, the KARO Sound Libraries from the German company KARO Sound Development have joined the list with twenty titles already available, further enhancing the value of the Kronos X. The Kronos X also contains the EXs 10 - 13 expansion sample series of Kronos Sound Libraries pre-installed in demo mode. After you've tried them out, you can obtain these rich sounds for yourself by simply purchasing a license key.

KORG's Rock-Solid Workstation Integration Puts it all Together
Packed with unlimited sound potential, Kronos X is much more than a synthesizer. Kronos X comes complete with all of the extras required of a modern workstation, plus so much more. From music production to live performance, the Kronos X Music Workstation integrates a world-class list of tools into a single, reliable instrument. Under the hood, all nine engines share the same hardware, with no separate cards to manage or polyphony barriers between them—and no "CPU overs" to worry about. Kronos X dynamically allocates power between the engines as you play, automatically and in real time, providing an integrated experience no PC can match. In addition, Kronos X smoothly functions as a plug-in with many popular DAWs, providing your studio with native, unprecedented sonic power.

MPN: KRONOSX61

• Peerless synthesizer containing nine sound engines, such as realistic piano, richly expressive electric piano, tonewheel organ, digital synthesis, and powerful analog/physical modeling.
  
• Approximately 2GB of available PCM RAM allows more sample data to be loaded at once.
  
• Doubled SSD capacity of 62 GB allows support for gigantic sound library expansions, such as the Kronos Sound Libraries and the KARO Sound Libraries.
  
• User Sample Bank feature allows users to create extremely large sample libraries that take advantage of the generous PCM RAM and SSD capacity.
  
• Numerous artist signature sounds created by top musicians are included, letting you make the sounds of classic songs your very own.
  
• 16-part Combis allow all engines to function together in perfect harmony; Dynamic Voice Allocation keeps the polyphony high.
  
• Use up to 16 premium-quality effects at once; individual effects rival dedicated units
  
• 12 Insert effects
  
• 2 Master effects
  
• 2 Total effects
  
• On-board sequencer offers 16 MIDI tracks + 16 audio tracks (24-bit, 48kHz recording quality)
  
• Open Sampling System – Instant sampling and resampling from any mode:
  
• Program, Combination or Sequencer.
  
• Sophisticated KARMA® technology generates infinitely variable performance-driven phrases, musical effects, and backing tracks to catalyze your creativity
  
• Expanded Drum Track for play-along grooves and inspiration
  
• Set List mode: Organize the Programs, Combis, and Songs you need to perform your set in a single, easy-to-select screen – including performance notes!
  
• Smooth Sound Transition: This often-requested feature allows held or sustained notes to keep sounding when changing sounds or modes.
  
• Direct support for playing drums and chords from Korg pad-equipped USB controllers, including the nanoPAD, nanoPAD2, padKONTROL; general support for all class-compliant USB controllers, including the Korg nano series and microKEY series
  
• Support for the Kronos Editor and Plug-in Editor software
  
• USB Ethernet adapter compatibility enables high-speed data communication between the Kronos X and your computer.
  
• Available with 61, 73 or 88 keys
  
• 73 and 88 key models feature Korg's finest RH3 Graded Hammer Action.
  
• Comprehensive interface, based around a large 8" TFT TouchView™ display
  
• System: Kronos System Version 2.0
  
• Keyboard: 88-key: RH3 (Real Weighted Hammer Action 3)
  
• 73-key: RH3 (Real Weighted Hammer Action 3)
  
• 61-key: Natural Touch Semi Weighted
  
  Tone Generator
  
• Synthesis Types: 9
  
• SGX-1: Premium Piano (Acoustic Piano)
  
• EP-1: MDS Electric Piano (Electric Piano)
  
• HD-1 High Definition Synthesizer (PCM Virtual Memory Technology)
  
• AL-1 Analog Synthesizer (Analog Modeling)
  
• CX-3 Tonewheel Organ (Tonewheel Organ Modeling)
  
• STR-1 Plucked String (Physical Modeling)
  
• OD-7 Waveshaping VPM Synthesizer (VPM Synthesis)
  
• MS-20EX (CMT Analog Modeling)
  
• PolysixEX (CMT Analog Modeling)
  
• Maximum Polyphony*1*2:
  
• SGX-1: 100 voices*3
  
• EP-1: 104 voices
  
• HD-1: 140 voices
  
• AL-1: 80 voices
  
• CX-3: 200 voices
  
• STR-1: 40 voices
  
• MOD-7: 52 voices
  
• MS-20EX: 40 voices
  
• PolysixEX: 180 voices
  
  *A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
  *2 In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
  *3 100 dual-stereo notes (It corresponds to 400 voices in the maximum.)
  
  Number of Programs/Combinations/Drumkits:
  
• 2,560 user memory programs (1,536 [768 HD-1+768 EXi] come preloaded)
  
• 1,792 user memory combinations (480 come preloaded)
  
• 264 user memory drumkits (78 come preloaded)
  
• 256 GM Level2 preset programs+ 9 GM Level2 drum preset programs
  
  
• Preset PCM: 314 MB (ROM 1,505 multisamples, 1388 drum samples)
  
• Build-in Expansion PCM Libraries: EXs1 - ROM Expansion
  
• EXs2 - Concert Grand Piano
  
• EXs3 - Brass & Woodwinds
  
• EXs4 - Vintage Keyboards
  
• EXs5 - ROM Expansion 2
  
• EXs6 - SGX-1 German D Piano
  
• EXs7 - SGX-1 Japanese C Piano
  
• EXs8 - Rock Ambience Drums
  
• EXs9 – Jazz Ambience Drums
  
• Capacity of PCM RAM: Approx. 2 GB*4
  *4 The memory available for RAM samples will change based on the use of Expansion PCM libraries. About 1,129 MB is available when shipped from the factory (when loading the file named "PRELOAD.KSC").
  
• Wave Sequences: 598 user memory, 165
  
  SGX-1 Program
  
• Premium Piano:
  
• PCM: EXs6 - SGX-1 German D Piano
  
• EXs7 - SGX-1 Japanese C Piano
  
• EXs12 - SGX-1 Austrian Piano (Option Sound Libraries, DEMO Version is pre-installed)
  
• Piano Type: 32
  
• Oscillator Control: Damper Resonance, Damper Noise, Mechanical Noise, Note Release
  
  EP-1 Program
  
• MDS Electric Piano: Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
  
• Electric Piano Model Types: 6
  
• Tine EP I, Tine EP II, Tone EP V, Tine EP DMP, Reed EP200, Reed EP200A
  
• Oscillator Control: Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
  
• Panel Control: Tine Type: Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
  
• Reed Type: Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
  
• *5 Each electric piano type has own amp/cabinet character.
  
• Effect Types: 9
  
• Small Phase, Orange Phase, Clack Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage
  
• Flanger, Red Comp, VOX Wah
  
  HD-1 Program
  
• Advanced Vector Synthesis:
  
• Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
  
• Structure: Single: only OSC1, Double: OSC1 and OSC2.
  
• Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
  
• Two completely separate drumkits.
  
• Oscillators: 8 velocity zones per oscillator, with switching, crossfades and layering
  
• Each zone can play mono or stereo Multisamples or Wave Sequences
  
• Filters: Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),
  
• Four-mode filter routings (single, serial, parallel and 24dB mode)
  
• Driver: Per voice non-linear driver and low boost circuit
  
• EQ: Three bands, with sweepable mid
  
• Modulation: Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
  
  EXi Program Common
  
• Advanced Vector Synthesis:
  
• Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
  
• Modulation:
  
• Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO,
  
• 2 Key Tracking Generators
  
• EQ: Three bands, with sweep-able mid
  
  AL-1 Program
  
• Oscillators: Ultra-low-aliasing oscillators
  
• OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
  
• Audio Input: Run real-time audio through the synthesis engine
  
• Filters: Two multi-mode filter (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), MultiFilter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
  
• Driver: Per-voice non-linear driver and low boost circuit
  
• Modulation: Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.
  
  CX-3 Program
  
• Tonewheel Organ Modeling:
  
• Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
  
• EX Mode: Four additional, user-specified drawbars, and expanded percussion.
  
• Internal Effects: Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
  
• Drawbar Control: Controlled via nine front-panel sliders (via Tone Adjust)
  
• Split: Upper, Lower (even in EX mode)
  
• Modulation: Two AMS mixers
  
  STR-1 Program
  
• Physically Modeled String:
  
• Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more
  
• String Excitation: Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset "pluck" types, with modulatable width and randomization. Noise generator with saturation and dedicated lowpass filter
  
• PCM Oscillator: Korg's ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can either be used as an excitation signal, or layered with the output of the string.
  
• Excitation Filter: Dedicated 2-pole multimode filter for shaping the string excitation; Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes
  
• Audio Input and Feedback: Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation.
  
• Filters: Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, and Band Reject modes
  
• Multi Filter mode (Filter A only): Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
  
• Modulation: 5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.
  
  MOD-7 Program
  
• Waveshaping VPM Synthesizer: Combines Variable Phase Modulation (VPM), waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.
  
• Oscillators: 6 VPM/Waveshaper/Ring Modulation
• Oscillators: Phase and modulatable pitch per oscillator; 101 Waveshaper tables plus modulatable Drive and Offset; Use as oscillators, or as Waveshapers or Ring Modulators for other signals.
  
• PCM Oscillator: Korg's ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can be used as an FM modulator and/or layered with the VPM Oscillators. Noise generator with saturation and dedicated low pass filter.
  
• Audio input: Run real-time audio through the VPM Oscillators and filters.
  
• Filters: Dual multi-mode filters per voice. Parallel and 24 dB (4-Pole) configurations; Low Pass, High Pass, Band Pass, and Band Reject modes
  
• Multi Filter mode (Filter A only):
  
• Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
  
• Patch Panel: Supports both algorithm (78 types) selection and free patching; Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
  
• Modulation: 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.
  
  MS-20EX Program
  
• Oscillators:
  
• Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
  
• Audio Input: Run real-time audio through the synthesis engine and ESP (External Signal Processor)
  
• Filters: 12dB/octave High Pass and Low Pass self-resonant filters
  
• ESP section: 24dB/octave Low Cut and High Cut filters, available per voice.
  
• Patch Panel: Patchable audio and modulation, at audio rates
  
• Patch Points:
  
• Keyboard: Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
  
• VCO: VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
  
• VCF: External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
  
• VCO+VCF: Total External Modulation In
  
• VCA: External Initial Gain Control In, VCA In
  
• EG: EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
  
• MG: Triangle Out, Rectangle Out
  
• Noise Generator: Pink Noise Out, White Noise Out
  
• Sample and Hold: Clock Trigger In, Sample Signal In, S/H Out
  
• Modulation VCA: Control Voltage In, Signal In, Signal Out
  
• Manual Controller: Control Wheel Out, Momentary Switch
  
• ESP: Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
  
• Others: EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
  
• ESP (External Signal Processor): Use incoming audio as a trigger and/or CV source.
  
• Modulation: Original DAR and HADSR EGs 1 & 2, original MG (with MIDI sync), Sample-and- Hold, MVCA; 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers
  
  PolysixEX Program
  
• Oscillators:
  
• VCO: Saw, Pulse, PWM
  
• Sub Oscillator: Off, 1 octave below, 2 octaves below
  
• Filter: 24dB/octave Low Pass self-resonant filter
  
• Effects: Integrated Polysix Chorus, Phase, and Ensemble
  
• Arpeggiator: Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
  
• Modulation: Original ADSR EG and MG (with MIDI sync), 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers
  
  Combination
  
• Number of Timbres:
  
• 16 Maximum
  
• Master Keyboard Functionality: Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI devices
  
• Advanced Vector Synthesis:
  
• Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
  
  Drumkit
  
• System: Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)
  
  Sampling
  
• System: Open Sampling System (resampling, In-Track sampling)
  
• Bit Depth/Sampling Frequency: RAM: 16-bit/48 kHz stereo/mono sampling
  
• DISK: 16 or 24-bit/48 kHz stereo/mono sampling
  
• Sampling Time: RAM: Depends on the amount of availale PCM RAM
  
• DISK: Maximum 80 minutes stereo (879 MB: 16-Bit)
  
• Sample Locations: 16,000 samples/4,000 multisamples (128 indexes per multisample)
  
• Ripping: Direct sampling (ripping) from audio CD (CD-DA)
  
• Formats: Korg format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
  
• Editing: Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
  
  Effects
  
• Insert Effects: 12
  
• Stereo in / stereo out
  
• Master Effects: 2
  
• Stereo in / stereo out
  
• Total Effects: 2
  
• Stereo in / stereo out
  
• Timbre EQ: High, low, and mid band
  
• Effect Types: 185
  
• Modulation: Dynamic Modulation and Common LFO
  
• Effects Control Busses: Two stereo side chains
  
• Effect Presets: 783
  
• Maximum 32 per 1 effect (Preset User)
  
  KARMA
  
• KARMA Modules: One module in Program mode, four modules in Combination and Sequencer modes
  
• Generated Effects (GE): 2,048 presets, 1,536 Users (96 come Preload)
  
• Controllers: On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup
  
  Drum Track
  
• Drum Track Patterns: 697 preset (common with the preset patterns of the MIDI sequencer)
  
  Sequencer/HDR
  
• Tracks: 16-track MIDI sequencer + 16-track hard disk recorder + master track.
  
• Number of Songs: 200 songs
  
• Resolution: 1/480
  
• Tempo: 40.00 – 300.00 (1/100 BPM resolution)
  
• Maximum memory: 400,000 MIDI events or 300,000 audio events
  
• MIDI Tracks: 16 tracks plus the master track
  
• 697 preset/100 user patterns (per song)
  
• 18 preset/16 user template songs,
  
• Format: Korg (Kronos, OASYS) format, SMF formats 0 and 1.
  
• Audio Tracks: 16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
  
• Maximum single-file recording time (mono): 80 minutes
  
• Automation: Volume, Pan, EQ, and Send1/2; 5,000 regions (max.), Event Anchors, BPM Adjust
  
• RPPR (Realtime Pattern Play and Record): 1 Pattern set per song.
  
  General
  
• Disk Mode: Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1. *6
  *6 Need to use with External USB CD Drive, etc.
  
• Controllers: Vector joystick, joystick, ribbon controller, switches 1 & 2
  
• Control Surface: Control Assign Switches: Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA, or Tone Adjust.
  
• Mixer Knobs Switch: Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8 (Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider
  
• KARMA Control: On/Off, Latch, Chord Assign, module Control
  
• Display: TouchView graphical user interface, 8 inch TFT, SVGA (800x600 dots), adjustable brightness
  
• Outputs: L/MONO, R: 1/4" Balanced; 350 ohms Stereo; 175 ohms Mono (L/MONO Only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)
  
• Individual 1-4: 1/4" Balanced; 350 ohms Stereo; 175 ohms Mono, Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)
  
• Headphones: 1/4" stereo phone jack, output impedance: 33 ohms, Maximum Level: 60+60 mW (when load impedance is 33 ohms),
  
• S/P DIF: Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz, (the same signals as L/MONO, R)
  
• USB-B: 24-bit, 48 kHz, 2 channels (the same signals as L/MONO, R)
  
• Inputs: Audio Inputs 1 and 2: 1/4" Balanced; Input
• Impedance: 10 kohms, Nominal Level: +4.0 dBu, Maximum
• Level: +16 dBu,Source Impedance: 600 ohms, S/N: 95 dB (Typical), Dynamic Range: 95 dB (Typical), Crosstalk: 95 dB (at 1 kHz, Typical)
  
• S/P DIF: Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz
  
• USB-B: 24-bit, 48 kHz, 2 channels
  
• Control Inputs: Damper pedal (half damper supported), assignable switch, assignable pedal
  
• MIDI: In, Out, Thru
  
• USB: USB A (TYPE A) x 2 (for connection to external USB devices)
  
• USB B (TYPE B) x 1 (MIDI/audio interface, MIDI: 1(16ch) input / 1(16ch) output, Audio: 2 channel input / 2 channel output)
  
• 2 USB high-speed ports (supports 480Mbps)
  
• Principal Specifications: Frequency Response: 20Hz-22kHz, +/-1.0 dB, 10k Ohms load
  
• THD+N: 20Hz-22kHz, 0.01%, 10k Ohms load (typical)
  
• S/N: 95 dB (typical)
  
• Dynamic Range: 95 dB (typical)
  
• Crosstalk: 95 dB, at 1 kHz (typical)
  
• Disk Drives: 62 GB SSD (2.5")
  
• Power Consumption: 60 W
  
• Dimensions: (W x D x H) 88-key: 57.28" x 16.18" x 5.71" 1,455 x 411 x 145 mm
  
• 73-key: 48.94" x 16.18" x 5.71"
  
• 1,243 x 411 x 145 mm
  
• 61-key: 41.42" x 14.25" x 5.28"
  
• 1,052 x 362 x 134 mm
  
• Weight: 88-key: 50.71 lbs. / 23.0 kg
  
• 73-key: 44.75 lbs. / 20.3 kg
  
• 61-key: 27.56 lbs. / 12.5 kg
  
• Accessories: AC cord, Quick Start Guide, Accessory DVD Disc 1, 2 (DVDs include Kronos Operation Guide, Parameter Guide, and Voice Name List PDF files; Video Manual; KORG USB-MIDI Driver; System Restore Data, etc.)
  *Developed under license of physical modeling patents (listed in www.sondiusxg.com) owned by Stanford University, USA, and by Yamaha Corporation.
  
  *All other product and company names are trademarks or registered trademarks of their respective holders.
  
  *Appearance and specifications of this product are subject to change without notice.